The Chromatic Topologies Series

This series develops a transition from landscape-derived material toward perceptual abstraction. Desert terrain functions as a generative field undergoing transformations—chromatic inversion, spatial reorientation, and formal compression—that displace its direct legibility.

 

Topographic cues are translated into chromatic structures: gradients, folds, and semi-transparent layers reorganize spatial relations, while vertical segmentation and overlapping planes collapse distinctions between surface and depth.

 

Light operates as a structural element, forming localized intensities that modulate the emergence and dissolution of form. The image oscillates between residual reference and an autonomous visual system, maintaining tension between its indexical origin and its abstract condition.