Approach

My work originates in the direct experience of landscape, yet it is not concerned with describing a specific place. I am interested in moments when the natural environment loses its geographical identity and becomes a field of form, rhythm, and tension.

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Wind-shaped sand structures, shifting light, and vast spatial scales allow me to work with the landscape as a visual language rather than a subject. Photography becomes a tool for translating these structures into images that oscillate between reality and abstraction.

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The resulting works are not documents of a location, but autonomous visual situations. 
They invite a slowed perception, where scale becomes ambiguous, and the viewer can enter a space of contemplation shaped by color, structure, and silence.

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By working with large formats and precise material presentation, I aim to reinforce the physical presence of the image, so that it is experienced not only as a photograph, but as an environment.